George and I watched a Blu-Ray of "No Country for Old Men". I loved "Blood Simple" and I loved this too. What I especially enjoyed was the almost complete absence of music in the background. Lately it feels to me that a movie just smacks me in the face with sounds, grabbing me by the aural scruff and rubbing my face in phony emotion. (Wow. I beat the snot out of that poor metaphor.) This movie was silent for long periods, using silence as a visual artist uses space. You could hear footsteps, and breathing, and wind, and birds. I loved it for that.
The NY Times wrote of the sound editor, Skip Lievsay:
"[M]ost musical instruments didn’t fit with the minimalist sound sculpture he had in mind, so he used singing bowls, standing metal bells traditionally employed in Buddhist meditation practice that produce a sustained tone when rubbed."
Tommy Lee Jones -- I could spend an awful lot of time watching his seamed, weary face and the little bald place on the back of his head. This is a beautiful man, getting better with age.
This movie was demanding somehow -- enigmatic, tense, awful. I'm glad we saw it at home because if we were in a theater and somebody rustled a candy wrapper I'd have to stomp out in a snit because I was paying attention.
I'd like to watch it again, and listen again.